Reviews

Lifestyle

Features

Main Menu

BlogCal

 Aug   September 2010   Oct

SMTWTFS
   1  2  3  4
  5  6  7  8  91011
12131415161718
19202122232425
2627282930 
VLSI Technology
Lifestyle
Absu and Sothis in Hollywood PDF Print Email
Written by Sameerah   
Thursday, 18 June 2009 17:24
Its Sunday night and for the first time it feels like summer. A warm evening with a giant blood red moon hanging over the House of Blues in Hollywood.  Candlelight Records Metal Maniacs is among the biggest show to hit so far this summer. With local favesSothis and the long awaited return of Absu. Both bands riding high on their new releases. Sothis' Opresso de Liber and Absu's self titled effort. There is a wickedness in the air and this show promises to be a muther fuck!
 
We got there about half way through Rumpelstiltskin Grinder's set. As we made our way to the bar to take the holy sacrament of jack and coke Rumpelstiltskin Grinder's virtuosic punk styled metal hit like a donkey punch to the back of the head. Hard, savage and lethal. They played blistering riffs at punk rock speed and fury.This was Philly Metal at its finest. No nonsense, balls to the wall mayhem and fantastic brutality. There was one song in particular about the rising of deadly trolls, that really blew me away. It reminded me of the episode ofMetalocalypse where DeathKlok accidentally unleash a killer troll of a Finnish village. The image combined with a song that just kicks fucking ass.Filling me with wicked silly delight. But at the same time I was a little sad. Here I have an excellent band playing their fucking hearts out and there is hardly anyone here to appreciate.Tis the curse of being the opening band I suppose. For those of us who got there in time to see Rumpelstiltskin Grinder it was a great way to kick off the evening.
 
Plenty of people had begun to fill in the place by the time Sothis took the stage, although it wasn't nearly as big of a crowds as I had expected, but I will chalk that up to Sunday just being a bad day for most people.Sothis is a band that always describes themselves as "polished black metal". You don't really get a feeling for how polished they are until you see them live. They put on a brilliant show and everything is pitch perfect with the album. There is no room for improvisation at aSothis show.They are so fucking tight they even head bang on cue. In a way their being so fucking perfect was a bit of a downer. Not because they didn't sound great or didn't have any energy. More because you aren't really hearing anything different than what there is on the album. And the things that were different had nothing to do with the band and were more of the way the sound guy did things. However those worked toSothis' advantage.There was more amp on Aseperia on keys, making it so that she was doing more than providing a bit on ambiance between riffs. Nor was she competing so much with the guitars. Which was a nice surprise. There were also some major changes in the bass. I don't know what the sound guy was doing but he made that shit drop so fucking hard that it felt as if the Dark Lord himself had come to kick the place in the nuts! Say what you will about their penchant for perfectionSothis still put on an amazing show.
 
Absu's started off intense if not a little odd. The band stepped on stage looking mean and bad ass with one of their interludes in the background sloshing over the screams and whistles of the crowd. They just stood there. Staring at the crowd for what seemed like an eternity. Drunken shouts of "Hail Satan" and "play somethingmuther fucker" began to fill the air. I was starting to worry they were going to pull some kind of Billy Corbin douche bag move and just stand there all night. The crowd was beginning a bit restless. And there is nothing scarier or funnier than a bunch of drunk metal heads. Just as things seem as if they are going to take a nasty turn,Absu hit us with a sonic blast of demonic mastery. There was more silence between songs but no one seemed to mind. What was at first thought to be a stunt pulled because they wanted to be douche bags was turned into something that showed supreme confidence and mastery over the crowd. They didn't have to say shit to us to make us get the message they let the music do the talking. And we all loved it. They ran through most of the major stuff from their catalog and some things from the new album. But when they broke out 4 things went ape shit. Pits were started and I would like to think faces were smashed in a sea of spastic brutality.
 
 
 
 
 
 
 
 

 
Last Updated ( Wednesday, 30 November -1 01:00 )
 
Franz: Adventures in NAMM PDF Print Email
Written by Franz Keller   
Wednesday, 23 January 2008 04:51
KAOSSILATOR at Winter NAMM 2008 (also LinnDrum II Analog, and SVM-1000 )

Does the world need more chaos? No,
but more Kaoss, on the other hand, is very welcome!

the cleverly named Kaossilator is a yellow friend to the
mini KP you might have seen on YouTube.
I got to try it at the Winter NAMM show!

[ quick review for the synth Gear Heads: ]

before testing it, I thought this would be kind of "a toy",
which it is! but not in the negative sense -

there is a lot of depth and variation possible -
100 patches, multiple scales and gate patterns -

I could see using this in a portable live performance,
or as an inspirational "song starter" / writers block cure,
because of the intuitive (dare I say "out of the box")
nature of the control.

you can do "live looping" with the internal sounds,
adding new loops on top of previous ones.
there's even an "undo" feature which takes back the last layer! nice.

my main wish is that they'd included audio-in and MIDI for vocal looping!
also, though the pad is super intuitive, the buttons
are a bit confusing, with too many functions on too few of them.

Truly though, there is a lot to like about this yellowjacket square,
which was the best surprise of my NAMM experience.
for $200, and available in 10 days, I quickly decided I must have one.

My Mini-KP's will be very happy to meet it, I'm sure.
(perhaps they are male and female of a robot species?)
It could also be a good companion for the (synthless) ER-1.

---

Also seen, at the Dave Smith (evolver) booth -
the "Boom Chic" has been less quirkily named "Linn Drum 2 Analog".
They had a prototype there, but this "drum machine had no soul" -
the OS (ghost in the machine!) is still about a year away from completion.
It's certainly worth waiting for, though -
A hybrid rhythm synth with true analogue drums ( rare for a modern unit! )
plus digital samples and what's sure to be a fine sequencer -
Electribe ( aka X0X ) and MPC ( button pushing ) style.
This looks ideal for my AFC drumming.

If you don't know, the Linn Drum was a classic drum machine,
and something of a predicessor to the MPC line which still rules hip-hop.
It's sounds were famously used by such people as Prince and JM.Jarre.
(You might have heard it in my 1998 track "Night Driver"!)

Also on hand, "the Prophet 08" (keyboard!) has arrived to enlighten us.
The analogue classic has been reincarnated with efficient digital MIDI controls.
It sounds great (you can really hear it on the basslines) and is very
adjustable.

http://www.davesmithinstruments.com/news/index.php

---

For the VJ's out there, the SVM-1000 is the newest A/V mixer designed for us.
It does indeed feature 4 simultaneous channels of sound and video with effects
(including brightness / contrast! which is absent from some others)

I had a great time testing it with the also amazing DVJ decks at their
display room.
Unfortunately, at $6000 I'm not likely to own one soon...
Like most VJ's, I will remain with a "laptop centric" approach for the
time being.

(I did actually get to try the (very rare) Korg Kaptivator at their
booth as well!)

sayonara to my tomodachi,
VJ Franz.K
Last Updated ( Wednesday, 23 January 2008 04:52 )
 
Finding Some Wicked Talent PDF Print Email
Written by Sameerah   
Tuesday, 01 November 2005 01:47
Its mid afternoon on one of my all to rare days off, Iâ??m enjoying a lazy day on my sofa watching something on the Discovery Channel well on my way to a much needed cat nap when my phone rings. Before I can even say hello a womanâ??s shrill voice screams into my ear. She doesnâ??t need any further introduction; I know that scream belongs to my friend Betty, an aspiring model. And from the sound of her voice itâ??s been another disappointing day of making her rounds to the cities many talent agencies. Fighting back tears she tells me about how much money they wanted her to give them for head shots, the extremely high percentages that they wanted to take if they were able to get her any work and the big question, was she comfortable with doing adult work. This isnâ??t the first time that Iâ??ve been surprised that she is having a hard time getting modeling work, in recent years alt/ Goth looks have become a bit more widely accepting in the mainstream media. You watch TV and see any number of models and extras with ink and multi colored hair, hell two major cable networks have recently launched reality shows set in tattoo shops! So why is it so difficult for a girl with Susie Sioux good looks and full sleeved tats to find work. Trying to be a good friend as always I set about the task of trying to find her an agency or management company that will be able to find her some work without whoring her out or taking more all of her money in commissions and other fees. My search led me to Wicked Talent; a non-profit LA based management company that specializes in working with models and artists who have less than conventional good looks. I was absolutely ecstatic to find them and rushed to the phone to give Betty the good news. However the good news came a bit too late to help Betty with her career, after God only knows bad meetings, Betty decided to abandon her dreams of fashion stardom to concentrate on her family. As crushed as I was to hear about her decision, I know sheâ??s only doing what she feels is right for her and her family, still I wanted to spread the word about Wicked Talent, and hopefully provide some help to others trying to break into the world of modeling. So today weâ??re going to sit down with Donna Ricci, the founder of Wicked Talent to see what kind of advice she can give aspiring entertainers.
Last Updated ( Tuesday, 01 November 2005 01:48 )
Read more...
 
The Life of Sharon Tate PDF Print Email
Written by Sameerah   
Saturday, 19 February 2005 19:40
Since I was about 16 or so I've had a fascination with serial killers. I guess it really started in a psych class I took in my junior year in high school. I had a professor who was a forensic psychologist and we spent a lot of time on abnormal psychology. Because he used to do profiling work for local law enforcement we spent a lot of time dealing with the criminally insane. So much in fact we took a field trip to a mental institution (yeah Mom I know you said I couldn't go, but I forged your signature on the permission slip) my final thesis that year was selected for me by my professor, it was Ted Bundy. I did all the usual research for the paper. Pouring over newspaper clippings even taking two of his biographies home to Ohio with me over school breaks. I didn't think any of my research had affected me until I was caught sleep walking and unlocking all the doors and opening the windows. My parents wanted me to ask for a new assignment but it was too late for that. Ever since I've had this thing for serial killers. What makes them tick, how they can seem so normal to the people around them yet commit these horrible crimes. Up until recently these events were nothing more that pictures in a book to me, events so far removed from me I found some of them funny.
Last Updated ( Tuesday, 21 June 2005 22:00 )
Read more...
 
« StartPrev1NextEnd »

Page 1 of 1